Creating new worlds for Amazon’s The Man in the High Castle
Zoic Studios used visual effects to recreate occupied New York and San Francisco. What if Germany and Japan had won... read more
What Does It Mean To Be a Filmmaker?
Not too long ago, being a filmmaker meant a very specific thing, and becoming one meant going down a very... read more
The color of Terrence Malick’s ‘Knight of Cups’
Terrence Malick’s Knight of Cups, which premiered at the Berlin Film Festival in early February, has literally been years in... read more
‘Banshee’ associate producer Gwyn Shovelski talks VFX
For those of you lucky enough to have discovered Banshee on Cinemax, you know just how fun a ride it... read more
FotoKem colorist Mark Griffith: digital remastering ‘The Sound of Music’
Who doesn’t love The Sound of Music? Who? Introduce them to me and we’ll talk. Fifty years after it was... read more
Oscar-winner Ben Wilkins on Whiplash’s Audio Mix, Edit
This BAFTA- and Oscar-winner walks us through his process. When I first spoke with Ben Wilkins, he was freshly back from the Oscar-nominee... read more
Making ‘Being Evel’: James Durée Walks us Through Post
Those of us of a certain age will likely remember being glued to the TV as a child watching Evel... read more
Stuck On On Takes Sizeable Post Challenges of “Boyhood” w/ SCRATCH
Parke Gregg, co-founder and chief colorist at Stuck On On, met Richard Linklater while doing the challenging post-production for the... read more
The A-List: “The Girl on the Train” director Tate Taylor
Tate Taylor, a Mississippi native who began his career as an actor, had just one small comedy — 2008’s “Pretty Ugly People”... read more
Review: Avid Media Composer 8.5 and 8.6
It seems that nonlinear editing systems, like Adobe Premiere, Apple FCP X, Lightworks, Vegas and Blackmagic Resolve are being updated... read more